Wood Grain paint and Faux Finish tools and materials resources page
It’s a work in progress and I’ll add more items as I have time and come across them. Please bookmark this page for future reference.
If you have suggestions or requests for resources, please send me an email to contact at perfect wood grain dot com and I’ll try to post them here.
Caution! Latex glaze (McClosky, Valspar, Benjamin Moore, Martha Stewart, Ralph Lauren, Behr or ANY latex glaze) found in hardware and home stores is not formulated for graining.
For Graining, we need acrylic glaze with long “open time” (time before it starts to set up).
The two products I recommend have long open times, dry clear, offer durability, color fastness and easy clean up. It’s necessary to use a high-quality, acrylic (vs latex) glaze.
My personal favorite is Proceed Full-Bodied Painting & Glazing Medium, made by Golden Artist Acrylics.
Below are a few sources. Please search in your area as it may be available locally. The Golden page tends to be inaccurate so, caution.
In the UK: Full-Bodied Painting & Glazing Medium
US, Oregon. Brush & Trowel in Portland is where I order my glaze and they always do a good job. If you don’t see the product on the site, give them a call: Full-Bodied Painting & Glazing Medium
Another good brand is Long Open Time Glaze from Faux like a Pro.
Link to Long Open Time Glaze: Gallon
Link to Long Open Time Glaze Quart
Universal Tint Colorants or UTC’s
Many wood grain methods have you buying over-priced, pre-tinted glazes or wood stains.
Perfect Wood Grain Courses are unique in that you’ll learn how to use UTC’s to tint glazes. This cost effective approach gives you total freedom and flexibility in creating the necessary colors for painting wood grain and many other faux finishes.
I talked in a blog post about the specific colors needed for graining.
I no longer recommend Golden Proceed Pigment Dispersions as they’ve changed their formula to include acrylic which shortens drying time of glazes, the last thing we need…
Amazon has Cal-Tint UTC’s. I’ve used these and recommend them.
Avoid Polyvine and Tints-All colorants as they tend to be poor color quality and of the wrong consistency for graining.
Blending and softening brushes: Perhaps the most crucial brush for wood graining and many faux finishes.
If you’re doing large areas of wood graining, get the four inch brush. For smaller areas the two inch will do.
I have both sizes in my studio. I like the Royal and Langnickel Badger Blending brushes because they’re durable and inexpensive.
Veinette/Graining fan: There are not many fan brushes designed specifically for wood grain faux finishes. The Royal & Langnickel Bristle Fan gets the job done and won’t break the bank.
Flogging Brush: Crucial for creating fine, secondary grain in Walnut, Maple and other woods. Again, if you plan on doing large projects like doors, trim, flooring… get the bigger brush. I have one of each size.
Spalters: You’ll use these for spreading glaze on very smooth and painting some grain types.
The link below is for the da Vinci 5040 series Motlers (aka spalters), my favorite brand for their fine, durable bristles. I use the 30mm in the support videos for my courses. If you get a different brand, I suggest a very fine synthetic over natural bristle for smooth applications of glazes.
Chip Brushes: These inexpensive brushes are a must have for general purpose painting and can even be used for applying some grain types. I suggest that you have a range from one inch to 3 inch.
Natural Bristle Artist Brushes: I rely on inexpensive natural bristle brushes for mixing glazes and experimenting with various textures and graining ideas. As you can see via the link below, there are many bargain options for large sets of brushes.
Artist Liners: Get #0, #1 and #2 sizes for creating fine grain lines, knots and other details.
Larger, higher quality bristle brushes: It’s important to have good quality brushes (better than chip brushes) for priming, base coating, finish coating and other volume work.
Two brush brands I like are Purdy and Wooster, but any good quality house painting brush will do. I keep 3 inch and 4 inch house painting brushes in my studio.
Rubber Graining Tool: In the Perfect Wood Grain courses, you’ll learn how to cut rubber for graining.
The best material for this tool is medium hard rubber. I buy the Kemper Rubber Finishing Tool, used for pottery, and cut it to my specifications. This works really well because it has a tapered edge that makes for very clean glaze removal.
I’ve also used rubber spatulas, but be careful to not get a silicone spatula because it will be too soft.
Another option is the rubber used in shoe repair that’s typically red in color and gets sandwiched between layers of the sole. Any cobbler should be willing to sell you a small piece.
Brush Comb: Your graining fan or chip brush can be shapped to make more distinct grain lineswith a brush comb. It’s also helpful for cleaning brushes.
Small piece of medium or course burlap: Fabric stores typically carry several weights of burlap. You want medium or heavy. Your grocer (potato sack) or coffee shop (coffee bean sack) may have some for free.
2″ X 2″ 1/8th” pieces of cork or rubber: Hardware store. Also a wine cork can be cut down for this purpose.
Foam rollers: Unless you’re going to spray on your base coats. The foam rollers can get the base coats very smooth when applied in multiple, thin coats. I use the Shur-Line 03715C 4-Inch foam covers.
Small synthetic sponges will be used to both create and adjust grain.
Old tooth brush for spattering fine pores.
Small paint cups for mixing glazes.
Paint pallets. Glossy paper plates also work.
Lint-free rags: Well washed cotton t-shirts work well.
Pencils: Hard (H-4, H-5, H-6) and soft (B)
Graining Combs: It’s nice to have fine through wide, but medium steel combs are all you reallyneed. Rubber graining combs can come in handy but consider them an extra, not a replacement for steel as the steel combs produce a much finer effect.
Spray bottle for misting wet glaze to extend open time.
5 in 1 painters tool for opening and closing paint cans, cleaning rollers, scraping and other things. One of my favorite and most used tools, I own three of them.
Cutters: Exacto, Scissors, Utility knife.
Paint cup/palette humidifier: Use a wide, flat plastic storage box 12” X 12” or so with a hinged lid. Fold some paper towels to fit in the bottom and keep them damp. You’ll be amazed how long this will keep paints fresh. Alternatives: Large ziplock or paint cups with lids.
- House painters tapes
- Auto painters tapes
- Swedish Putty from Fine Paints of Europe. I haven’t used this personally, but some pro painter friends of mine swear by it.
- Water based wood filler
- Epoxy type filler
Base Coat Paint
I use the Benjamin Moore color code system as a guide for faux wood paint base coats in my graining courses.
For doors, cabinets and other interior or art projects, I like Kilz acrylic latex primer.
For woodgraining cars, use a self-etching or two-stage primer.
June, 2017: This Wood Grain Faux Finishes Resources page is a work in progress and I’ll be fleshing it out over time. Below are some upcoming categories I’ll be adding info and products to soon.
If you have suggestions or requests for resources, please send me an email to contact at perfect wood grain dot com and I’ll try to post them here. Also, let me know if you need some clarification about any items on this list.
Protective Varnish and clear coats
HVLP Sprayers, guns, tips, hoses and parts
Pad computers and laptops for on the job faux finishing
Web hosting for artists and craftspeople
Business building books I’ve found helpful